We are so busy being wowed by Sherlock’s talent for reading people that we don’t notice the key components of Watson’s backstory being revealed. Evident in Watson’s reaction, this proves to be scarily accurate. Sherlock delivers a quick summing up of his perception of Watson. Sherlock demonstrates his instinctive investigative skills, which tell of Watson’s backstory. ![]() In the BBC series, Sherlock, the titular protagonist‘s first meeting with his famous sidekick reveals a great deal. It also sets up how the plot might unfold in Michael being at odds with his family. The story Michael tells is enlightening as to the movie’s context. The scene is logical in that Michael has to explain how his family knows such a famous singer. This naturalistic explanation gives both Kay and the audience insight into the Godfather’s power. He told the Leader that ‘either his brains or signature would be on the contract’ (of the release form letting Johnny go). Gradually Michael reveals that his father threatened the Band Leader. Kay presses Michael as to ‘how’ his father did this. ![]() Michael explains that his father got Johnny out of a binding band contract early on in his career.Kay forces Michael to explain how his family know Johnny Fontaine, a famous singer performing at the wedding.Michael sits with his wife, Kay, during his sister’s wedding party. In one of the first few scenes of The Godfather, Michael Corleone outlines the nature of his father’s business. We’re going to look at some great exposition examples, with a few weak exposition examples thrown in for context. Show your audience what they need to know rather than telling it to them explicitly. However, a good screenwriting rule to follow is that of show don’t tell. ![]() Great exposition can be achieved through dialogue. But it will do so in a way that pulls the audience out of the story. Weak exposition can still be successful in conveying the plot.
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